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About the author.
REVIEWS
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It's easy to lose track of your life
sometimes, especially when you drink a lot. Three twenty-something
white guys who made a smooth transition from undergraduate
underachieving to corporate bottom-feeding sketch out a plan to
reclaim their supposed dignity. In-between drinks, angst-ridden
diatribes, and the follies and foibles of an involuntarily platonic
relationship, these bright, personable mediocrities decide to rob
the publishing house which employs their only stable member. The
score is small, and possibly just beyond their reach.
Phil "Dub" Dublen feels
the walls of his cubicle closing in around him at the publishing
company he works for. At first the carefree plan to rob it, floated
by his strange old college friend Trim (a self-styled poet who
revels in his own lack of talent and ambition; eager to offend
everyone, happy to appear bizarre, disliked and disdainful), is
merely a cathartic daydream. When Trim involves his room-mate Dan
(unemployed, bitter, undoubtedly alcoholic; yellowed at the edges
and cursed with a blackout temper which often leaves his friends on
the floor) they discover that they each bring a key to the success
of the first criminal undertaking any of them have ever
contemplated.
Dub is the inside man,
able to get them into the building without tripping alarms, able to
scout the place out and know in advance what to take and how. His
cousin's past history as a car thief doesn't hurt either. With his
worn charm getting them in the door, half the work is done. Dan
seems to power the caper through sheer willpower and booze fumes,
but his motivation is mysterious, as it becomes more and more
evident that he doesn't expect anything to change in his life,
perhaps ever. His Uncle Tommy, an older, more ruined version of the
Quinn male, is recruited from his shady life to supply the criminal
links that make their plot something more than role-playing. Trim
energizes the plot and keeps everyone on their toes with brutal
honesty and strange, horrible poetry.
Meeting at a bar called
Rue's Morgue, where their friend Adrian "Chick" Parker waitresses
and steals Dub's forlorn, frustrated heart, they drink, fight,
plot, and occasionally read some really bad poetry. Dub goes to
work, Dan loses his job and settles into a premature old age, and
Trim manages to be loved and hated by everyone, sometimes
simultaneously. Slowly, amidst arguments, flirtations, and rare
moments of grace, the plan is assembled: Dub will get an access
card to his building, his cousin will get them a van to haul away
their goods, Dan gets his Uncle Tommy to agree to fence the
equipment, and on the night of the office Christmas Party the trio
survive their own weaknesses and a half-baked plan to emerge
incrementally richer and perhaps slightly wiser.
They all quickly
realize it isn't about the money, it's about doing something,
anything. For Dub, working a dull, meaningless job and failing to
be noticed by Chick Parker leaves him desperate for action of any
kind. For Trim, it's a final chance to actually be as outrageous
and anarchic as he pretends to be. For Dan, it seems to be
something he does for the same reasons he does everything: to vent
a little anger, and because he has nothing better to do.
When the story ends,
nothing is solved, nothing is better, and nothing, really, has
changed. Which surprises none of them.
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